Posts Tagged ‘Space Planning’

Planetary School for Youth-Oriented Teachings of Right and Wrong

November 26, 2016
 Drawing of a school for problematic youths, staffed with progressive teachers, this drawing © Torsten Sama and the Progressive Society, 2021

Hardt-Waltherr Hämer, Juvenile Delinquent Youth Project,
Ingolstadt, 1962-66 (A3, 2016)

This voluminous structure of concrete and gold tinted glass is located in a progressive settlement called “Ingolstadt” on a far-away double planet in the system of the theoretical Öpik-Oort-Cloud. The building is fashioned as a life-size replica of the actual edifice, the municipal theater in the city of Ingolstadt, Germany, Earth. The building itself is rather imposing, especially in the realm of the horizontal, but this aspect of massiveness has been nicely set off with an arrangement of haphazardly placed street signs of unclear meaning, and a carefully unfinished look of the surrounding street scenery. Also a meticulously arranged add-on to the composition are the two vintage motor-bikes of German make parked in front of it. They belong to the school’s most progressive teachers, one fatherly male religion teacher, and one instructor  for violence-free negotiation techniques of uncommitted gender. The helmet placed to the side of the motor bike in front serves as a signal of trust. This is a theft-free zone. Looming over the horizon, the second planet of the double system, which is also earth-like, with vast and mostly untapped supplies of oxygen and water, left unsettled, serving as a recreational area for the partner planet. In the sky, floating over the school, a general semantics surveillance unit which  scans the whole perimeter of that school for occurrences of plain right and plain wrong according to objectivist criteria. The  gold-tinted glass panes of the building reflect the surroundings in unclear abstract configurations while still giving a hint of transparency. This atmospheric rendering © 2021 by Torsten Slama and the Progressive Society

Haus am Horn – A System House for the Modern Couple

April 7, 2016
Muche, Gropius, Meyer, Haus am Horn, 1923, Bauhaus, Drawing from 2016, this drawing ©2017 by Torsten Slama

Gerorg Muche, Haus am Horn, 1923
(A3; 42×29,7cm)

This house, a monument to the phallic guilt complex of modern patriarchal architecture, lives in a place of rich historical meaning for a certain variety of people. The hypothetical new owners, formers employees of the local financial institute which co-financed the costly renovation and restoration of this model building for the system family, exerting their ownership rights and overriding certain restrictive laws concerning historical hallmark structures, tried to add to the concept by painting the building a strange variety of pink, and placing a gaily painted totem pole of western American red cedar in the style of the indigenous peoples of the Pacific Northwest coast of North America on the premises. A nice wooden smell wafts through the area which is repellent to the common clothes moth, tineola bisselliella.

Looking at photographs of the original edifice, one is befallen by a baffling mixture of internal reactions. The masculinity of the design coexists with a maternal womb-like character achieved. The legend of the immortal uterus turned into stone. A 1923 drawing by Farkas Molnár, entitled “Georg and El Muche and the Haus am Horn” reveals a certain hetero-erotic dream aspect of the original concept. Before the erection (sic!) of the building, the land served as a vegetable garden for the local school for architects. Look at this 2016 drawing. Discern the different symbolic items distributed over the picture. A pole, a hose, a ball, a wall, a building. Generic vegetation. A Mark 1 inoculator floating in the sky above the chimney.Atmospheric rendering © 2021 by Torsten Slama and the International Wedding Ring

Haus Ziegler, Lepsiusstraße 112, Berlin-Steglitz

January 30, 2016
Haus Ziegler, Lepsiusstr 112, Berlin-Steglitz, with 1936 Opel Olympia, Architect Hugo Häring, 1936, this drawing ©2017 by Torsten Slama

Hugo Häring, Haus Ziegler, Lepsiusstr, with 1936 Opel Olympia
(A3; 42×29,7cm)

Colour correctness of this image can only be approximate. Possible peachy hues befit the intended atmosphere. This building can still be found at the address Lepsiusstraße 112 in Berlin Steglitz. This rendering depicts it surrounded by vegetation not typical for this region. The rest of the setting is fairly accurate, though partly guesswork. The German car in the foreground is of exactly the same date as the portrayed edifice. While the building is starkly modernist and, indeed, conceptual, the car is a slightly Germanized and downsized version of a Ford car. Picture the building as an old and also moderately neglected farm house in Vermont, picture the car as a Ford, and try and consider the person inside the house. This person is not the engineer Fritz Ziegler, but a different kind of character. After having unsuccessfully tried to stay of a beleaguerment by local aliens which are indeed not aliens but a kind of native sort of aliens (or, “Old Ones”), the original Ziegler was transferred to a metal cylinder while the actual person inside the house is not really a person but one of those said aliens, who has taken the place of Ziegler. You enter that place, expecting to find Ziegler, wanting to discuss his predicament. He, it, she (the impostor), is sitting in an armchair, has a buzzy voice, doesn’t move the lips while talking almost inaudibly, and occasionally nods to lend the mask it is wearing  a semblance of liveliness. Also, a pair of gloves are needed to hide the claw-like appendices. The legs are altogether useless, since their chitinous character makes them awkward and noisy as tools of propulsion on the medium of a wooden floor. It is good that there is a car in front of that house. If you are able to operate it, you might be able to flee this place. Some people might consider that angle in the house’s front as the most telling of its evil modernist hallmarks. In truth, it can be easily imagined that that angle, once you have gotten used to it, endears you to this place. What with that special kind of decorative and frost-resistant facade, the clinkers arranged in an order called the “Prüß-Verband”.Atmospheric rendering © 2021 by Torsten Slama and the International Pro Brick Society

The Parable of the Immortal Uterus

January 10, 2013
The Parable of the Immortal Uterus, 297 × 420mm, pencil, coloured pencil, acrylics on paper, © 2013 by The Parabolist Society

The Parable of the Immortal Uterus, 297 × 420mm, pencil, coloured pencil, acrylics on paper, © 2013 by The Parabolist Society

Please read the following excerpt from a conversation between the humanist, the monk, and the priest with full mental alertness. Read it with an open mind. Heed the pitfalls of untrustworthy translation.

The humanist: ” The fruit is rare. No tears before. I imagine this story then has traditionally been a more trivial and exquisitely romantic accident.”

The monk said: ” Truly. But these poems belong to the family of food, drink and boudoir stories. Moreover most breeze-and-moonlight tales but indulge in secret relations with women about eloping. They just do not have the dark children’s true release one or two. Think this: into the world of its passion color ghosts contrast with previous tradition. “

The humanist: ” Why don’t you and I have to take this great degree and some is not a virtue? ”

The monk said: ” Are you with me and I to the unreal immortal uterus, and witness the fool delivery of this romantic evil ghost? Now has half dust but still not complete works. ”

Priest : ” Not only that will go with you.*Illustrative sketch and translation © 2021 by Torsten Slama
*Zhen Shiyin is understood but unintelligible. “Stupid ” is anything. Then I came up, smiled and asked: ” The second division, please. ” The monk is also busy in reply when asked. Shiyin is to have said: ” Comfortable smell immortal. division on causal real world rare. But if I understand your disciple Yu, turbidity big dumb is preparing a fine disciple by washing its ear. Listening can also be a warning from sinking. ” Alternative Title laughs: ” This is a mystery not be pre-discharged. Then don’t forget two people can come out of the fire pit. ” Shi Yin listened, too inconvenienced to ask for laughs: ” Mystery not be pre-discharged, but suitable for a cloud fool! Somehow or can see? ” The monk said: ” If you ask it but once. ” She took out and give Shiyin. Shiyin took turns having a distinctive look at jade table with clear new writing. A ” magic stone”:  There are several (4) words. Now she wants to look at it when the monk said: “To fairyland is strong from the hands away, and one was a stone arch with four characters but fantasyland.llustrative sketch and translation © 2021 by Torsten Slama

Bungalow for the Magician

November 18, 2012
A retreat for the Magician

Bungalow for the Magician, 42×27,9cm (DIN A3),
pencil and coloured pencil on paper

A temporary country home for the Magician. The Magician specializes in making people vanish. His spells are potent only in that way. In all other ways he is a very unassuming, normal type of person. Working his spells draws on his overall spiritual energy, leaves him exhausted. Lacking any formal education, he has to rely on his spells to sustain him economically. He saves enough money through appearances in hotels and at festivities in small-town multi-purpose centres during the holiday season or through engagements on cruise ships to be able to afford a simple country retreat for his free time. The cellarless and easily relocatable building features a miniature pool and fitness related equipments to allow him to replenish lost energies through careful, peaceful training in solitude, meditating on a wild nomadic tellurian future. Other items related to spirituality (the stylized magician’s hat as protective cover for very delicate saplings), and sexuality (the orgonic sea-shell) are also part of the basic lay-out.

The house is available in similar form for all people interested in country retreats in wooded regions off the coastal areas, where lot prices are affordable and bird sounds and occasional appearances of badgers, ferrets, or racoons delight the well-honed biophile sensitivities of the gentleman tramp.© 2021 by Herma Ecdysone, Kurt Schessmanweil, Torsten Slama

19th Century Farmhouse Revival Unit

September 24, 2012
Drawing of a 19th century farm house in Furtwangen, Schönenbach/Schwarzwald with modern sculpture made from gold plated square tubing in the foreground.

Black Forest House with (51) Pegasi B Square Tubing Sculpture
297x420mm, pencil, coloured pencil, copper leaf

Drawing of a  synthetic housing unit in the 19th century farmhouse revival style, located in Furtwangen, Schönenbach/Schwarzwald, with a mid-sized modernist sculpture in the foreground. The building hides its stilted construction under a deceptively massive outer hull made from  shingle and plaster, replicated in hard foam.

The modernist sculpture in the foreground, made from gold-plated square tubing, as used for vent shafts in extrasolar habitats, stays in harmonic contact with the floating space crystal and its recharging unit, thus establishing a meaningful connection between heaven and earth. The harmonies created are those of the rainbow and in a strictly diatonic minor (aeolian) scale. However, an important component of forbidden bulk second-harmonic generation is inseparable from the surface contribution in all practical experimental situations.

Freshly washed linen hanging from a line demonstrates a keen sense of order and cleanliness, balanced with enough taste and humanity to appreciate the beautiful artefacts created by faux decaying plaster and mock age-old brick work exposed which lend the house’s beautifully crafted outer coating its unique charm.© 2023 by Herma Ecdysone, Torsten Slama, Manfred Gorre, International Publications World Wide

Black Forest House with Mossi Figure

May 18, 2012
Lamassu/Shedu House "Janus" with ancestral figure of the Mossi tribe (Drawing by Torsten Slama)

Black Forest house “Janus” with Mossi ancestral figure (42×29,7cm, 2011)

A home for the pattern recognition therapist and his family in a mildly crystal-spawning setting, characterized by its gently rolling layer of powdery soil. The place is ideal as a retreat for the Lunar type who wants to escape the Solar world.

Two openings in the basement are permanently accessible to ensure a smooth functioning of the household machinery. The therapist and his wife, who works as a lawyer specialized in copyright infringement and such, and is out during the day, share a bedroom suite and an annexed two sink bathroom under the roof. The children’s quarters, with separate entrance, are located in the back of the first floor. The therapist  his office in the frontal, thatched-roofed, lobe of the first floor. The office is soothingly illuminated through two large multi-colored windows. The entrance for patients is blocked by a large-scale replica of an ancestral figure of the Mossi tribe during sessions. The statue moves only when a secret slot is fed with a magnet card, of which only two copies exist, one for the master, one for the mistress.

The above-described family arrangement is fictional only. In truth the whole house is uninhabited and serves as a giant demonstration of the Jungian model of the human mind, complete with subconscious, atavistic mind, everyday consciousness (Real-I), and the lofty attic (Ideal-I), all separated into Anima- and Animus-dominated parts by a roof which, for reasons opaque to the modern, after-the-fact observer, is divided into a thatched and a shingled section. © 2017 Torsten Slama and International Publications Organisation World Wide

Cross Fell House

April 18, 2011
Cross Fell House, Drawing by Torsten Slama

“Cross Fell House” , Low Density Settlement Unit Designs for Space People‎ (Pencil and colored pencil on paper, A4, 2011)

Cross Fell House is the recreation of a municipal building standing at Crossfell, Bracknell Forest, near Mill Pond, Bracknell, United Kingdom.

 This Design based on the building in its original condition, as featured in the 1972 film The Offence by Sidney Lumet. © 2017 Torsten Slama and International Publications Organisation World Wide

Space Crystal Relay Station Schessmanweil with Ascending Maintenance Drone

January 5, 2011
Raumkristall Relaisstation / Space Crystal Relay Station. Drawing by Torsten Slama

Space Crystal Relay Station Schessmanweil with Ascending Maintenance Drone (pencil, colored pencil, gold leaf, 21×29,7cm, 2010)

This is one of thirteen design proposals for the experimental settlement Neutopia-Schessmanweil, a home for members of the Tellurian section of the Schessmanweil religion. The illustration above is a vital part of the colony’s service section, located in its northern part, Schessmanweil; a relay station which functions as a receiver for the sun worshipping rays of free-floating space crystals, modulate the frequencies around the n-spectrum to change them into tellurian energy particles, amplify them, and create a tellurian power dome around the settlement. The receiving unit itself is fairly innocuos, a standard model four-pronged poyutl, but needs constant maintenance and re-calibration of its vibration rate. This is done automatically and without human interference by the fully computerized maintenance drone also depicted. In the background some red brick private houses in the hills for the well-to-do lay priests.

If you are interested in seeing more designs for the planetary colony Neutopia-Schessmanweil, kindly redirect to the dedicated page “Neutopia Pläne”.(c) 2017 by Torsten Slama and Gottstein Strohkopp

Space-Crystal for Sun-Worshippers

January 20, 2010
Essay on Interplanetary Communication: Thoughts in Space. Space Art by Torsten Slama

Essay on Interplanetary Communication: Thoughts in Space. A Speculative Rendition.

This artificially bred space crystal, ten times more dense than an ordinary diamond, yet super-lightweight, is installed in the center of an impassable desert on the remote planet Elorg and converts solar light rays into mental energy which can be transferred to human minds and induce heliocentrism, or sun worshipping,  a quasi-religious, symbolistic mental attitude which is instrumental in creating or maintaining hierarchical, evolving, essentially unstable societies.

The atomic grid of this crystal is dense, but very loose, so that the carbon molecules are oscillating in a random pattern, and the optical properties of the crystal are that of a non-linear amplifier. The complex-refractive-index spectra with an anomalous dispersion around a J-aggregate absorption band are randomly changing, thus ever new, hypnotic patterns are being produced. The golden four-pronged poyutl in the foreground samples the light patterns and serves as a converter from optical to mental wavelengths. The resulting encephalographic patterns are sent to a relay station, which broadcasts the mind-patterns over entire galaxies. This is an experimental installation. The crystal is held suspended in mid-air by photon energy.     Copyright (c) 2017 by Torsten Slama and Gottstein Strohkopp