Archive for the ‘Uncategorized’ Category

House for Quasi Phantom Regions

November 28, 2016
Country House with Hip Roof B8090 by Torsten Slama 2016

Country House with Hip Roof B 8090
(Oils on canvas on wood, 50,3 x 62,8cm)

This house is for the lover of open country, but with no need for the flora and fauna usually associated with it. It is a house for the Frommian necrophiliac. This country lies on the surface of a planet roughly the size of Earth, but much heavier and with a very thick, almost water-like foggy atmosphere. Consequently the ground resembles the deep sea floor on Earth. A hint of some form of vegetation, either aquatic or coniferous can be surmised or easily dismissed in the milky background. Tastefully arranged on the premises are one replicated Silurian nautilus shell, various simplified crystal sculptures made of polymethylmethacrylate coated with transparent SiO2 thin films in hues of yellow, pink, and green, and several geometric primitives of synthetic plaster. The house itself is the sparsely ornamented, simplified version of a terranean postmodern country house catering for the aspiring single person or couple in the lower medium affluent income range and has the catalog number B 8090. It is especially suited for the writer of semi-popular fantasy novels. Note that it comes without garage, as such is not necessary on a planet without any destinations to travel to. The windows, though ostensibly made of some glass-like material, are either covered from the inside with blue boards, or the whole house might be filled with some blue tinted medium or nutritive solution. The inside of the house might be dark, artificially illuminated, or not existing. The owner or owners of the house might be immaterial, but still in need of spiritual nourishment, provided by the large space crystal floating in the dense, soup-like sky. This atmospheric painting © 2021 by Torsten Slama and the Fantasy Society

Planetary School for Youth-Oriented Teachings of Right and Wrong

November 26, 2016
 Drawing of a school for problematic youths, staffed with progressive teachers, this drawing © Torsten Sama and the Progressive Society, 2021

Hardt-Waltherr Hämer, Juvenile Delinquent Youth Project,
Ingolstadt, 1962-66 (A3, 2016)

This voluminous structure of concrete and gold tinted glass is located in a progressive settlement called “Ingolstadt” on a far-away double planet in the system of the theoretical Öpik-Oort-Cloud. The building is fashioned as a life-size replica of the actual edifice, the municipal theater in the city of Ingolstadt, Germany, Earth. The building itself is rather imposing, especially in the realm of the horizontal, but this aspect of massiveness has been nicely set off with an arrangement of haphazardly placed street signs of unclear meaning, and a carefully unfinished look of the surrounding street scenery. Also a meticulously arranged add-on to the composition are the two vintage motor-bikes of German make parked in front of it. They belong to the school’s most progressive teachers, one fatherly male religion teacher, and one instructor  for violence-free negotiation techniques of uncommitted gender. The helmet placed to the side of the motor bike in front serves as a signal of trust. This is a theft-free zone. Looming over the horizon, the second planet of the double system, which is also earth-like, with vast and mostly untapped supplies of oxygen and water, left unsettled, serving as a recreational area for the partner planet. In the sky, floating over the school, a general semantics surveillance unit which  scans the whole perimeter of that school for occurrences of plain right and plain wrong according to objectivist criteria. The  gold-tinted glass panes of the building reflect the surroundings in unclear abstract configurations while still giving a hint of transparency. This atmospheric rendering © 2021 by Torsten Slama and the Progressive Society

Euro-Continental Pro America Church “Paul Gerhardt”

May 23, 2016
Kurt Hatlauf Gelsenkirchen Ückendorf Paul Gerhardt with 1903 Cadillac Runabout. This drawing ©2017 by Torsten Slama and the Pro America Society

Paul Gerhardt Church Gelsenkirchen-Ückendorf with 1903 Cadillac Model A Runabout (A3; 42×29,7cm)

Behold here a fine example of evangelical church design in the vein of tasteful international modernism, a sight, not altogether typical, but not unusual either in a time when there was still a lively interest in all church things, yet the decline of church business was already clearly visible on the horizon of time as men know it (not geological time). Witness the gleam of the main building’s big glass front – a huge abstract dyptich of biblical proportions – which is clearly an early Euro-continental reference to the big coloured front face tradition of modern American churches. This church, built many decades ago, at some not exactly verifiable point in the 1960s, still stands, yet is robbed of its dominant feature; the space around it. Today, it is sadly hidden behind parked cars and fences, and swallowed up by attached public service facilities: an old people’s home, a kindergarten.

Note how the nave is separated from the church tower in this design. A separation of things usually compacted into one edifice might be due to conscious conceptual considerations, or simply a sign of the times. What this separation signifies is the American-Fordian thought and practice pattern of division of labour – the tower; the reaching out facility, both reaching out for the congregation, reaching out for god (also a structure akin to a giant billboard/beacon with built in audio component) – the congregation and worship hall a place of production, production of faith, the plant proper.

A note of significance in consideration of this aspect of division: the church was designed not by a star of modern church building, but a lesser architect by the name of Kurt Hatlauf, who also designed several commercial buildings in and around Gelsenkirchen, and for some time served as the manager of the local football club of national fame, a post which surely earned him substantial recognition and probably was deemed the more salient factor of his career. So obviously a figure whose feet were planted squarely, but separately, one in the world of commerce, the other in a world of spiritual values (achievement/ fame, worship/faith). According to oral history, Kurt Hatlauf liked driving around in big American cars, which helps in reconstructing the motivational background for this attempt at an American style church (unable yet to hide its European origins), the Americanism further underlined here by the inclusion of a giant size Kachina doll sculpture.This rendering © 2021 by Torsten Slama and the IPA Society

Haus Ziegler, Lepsiusstraße 112, Berlin-Steglitz

January 30, 2016
Haus Ziegler, Lepsiusstr 112, Berlin-Steglitz, with 1936 Opel Olympia, Architect Hugo Häring, 1936, this drawing ©2017 by Torsten Slama

Hugo Häring, Haus Ziegler, Lepsiusstr, with 1936 Opel Olympia
(A3; 42×29,7cm)

Colour correctness of this image can only be approximate. Possible peachy hues befit the intended atmosphere. This building can still be found at the address Lepsiusstraße 112 in Berlin Steglitz. This rendering depicts it surrounded by vegetation not typical for this region. The rest of the setting is fairly accurate, though partly guesswork. The German car in the foreground is of exactly the same date as the portrayed edifice. While the building is starkly modernist and, indeed, conceptual, the car is a slightly Germanized and downsized version of a Ford car. Picture the building as an old and also moderately neglected farm house in Vermont, picture the car as a Ford, and try and consider the person inside the house. This person is not the engineer Fritz Ziegler, but a different kind of character. After having unsuccessfully tried to stay of a beleaguerment by local aliens which are indeed not aliens but a kind of native sort of aliens (or, “Old Ones”), the original Ziegler was transferred to a metal cylinder while the actual person inside the house is not really a person but one of those said aliens, who has taken the place of Ziegler. You enter that place, expecting to find Ziegler, wanting to discuss his predicament. He, it, she (the impostor), is sitting in an armchair, has a buzzy voice, doesn’t move the lips while talking almost inaudibly, and occasionally nods to lend the mask it is wearing  a semblance of liveliness. Also, a pair of gloves are needed to hide the claw-like appendices. The legs are altogether useless, since their chitinous character makes them awkward and noisy as tools of propulsion on the medium of a wooden floor. It is good that there is a car in front of that house. If you are able to operate it, you might be able to flee this place. Some people might consider that angle in the house’s front as the most telling of its evil modernist hallmarks. In truth, it can be easily imagined that that angle, once you have gotten used to it, endears you to this place. What with that special kind of decorative and frost-resistant facade, the clinkers arranged in an order called the “Prüß-Verband”.Atmospheric rendering © 2021 by Torsten Slama and the International Pro Brick Society

The Parable of the Immortal Uterus

January 10, 2013
The Parable of the Immortal Uterus, 297 × 420mm, pencil, coloured pencil, acrylics on paper, © 2013 by The Parabolist Society

The Parable of the Immortal Uterus, 297 × 420mm, pencil, coloured pencil, acrylics on paper, © 2013 by The Parabolist Society

Please read the following excerpt from a conversation between the humanist, the monk, and the priest with full mental alertness. Read it with an open mind. Heed the pitfalls of untrustworthy translation.

The humanist: ” The fruit is rare. No tears before. I imagine this story then has traditionally been a more trivial and exquisitely romantic accident.”

The monk said: ” Truly. But these poems belong to the family of food, drink and boudoir stories. Moreover most breeze-and-moonlight tales but indulge in secret relations with women about eloping. They just do not have the dark children’s true release one or two. Think this: into the world of its passion color ghosts contrast with previous tradition. “

The humanist: ” Why don’t you and I have to take this great degree and some is not a virtue? ”

The monk said: ” Are you with me and I to the unreal immortal uterus, and witness the fool delivery of this romantic evil ghost? Now has half dust but still not complete works. ”

Priest : ” Not only that will go with you.*Illustrative sketch and translation © 2021 by Torsten Slama
*Zhen Shiyin is understood but unintelligible. “Stupid ” is anything. Then I came up, smiled and asked: ” The second division, please. ” The monk is also busy in reply when asked. Shiyin is to have said: ” Comfortable smell immortal. division on causal real world rare. But if I understand your disciple Yu, turbidity big dumb is preparing a fine disciple by washing its ear. Listening can also be a warning from sinking. ” Alternative Title laughs: ” This is a mystery not be pre-discharged. Then don’t forget two people can come out of the fire pit. ” Shi Yin listened, too inconvenienced to ask for laughs: ” Mystery not be pre-discharged, but suitable for a cloud fool! Somehow or can see? ” The monk said: ” If you ask it but once. ” She took out and give Shiyin. Shiyin took turns having a distinctive look at jade table with clear new writing. A ” magic stone”:  There are several (4) words. Now she wants to look at it when the monk said: “To fairyland is strong from the hands away, and one was a stone arch with four characters but fantasyland.llustrative sketch and translation © 2021 by Torsten Slama