Posts Tagged ‘Transportation’

Mannaheim Progressive Pro-Choice Clinic

December 7, 2016
Women's Medical Centre with earliest motor vehicle by Karl Benz, © 2021 by Torsten Slama and the International Pro-Brick Society

Woman’s Medical Centre with 1886 Benz Patent Motorcar (Oils on canvas on wood, 50,3 x 62,8cm)

Photographic reproduction of a painting which is positioned  somewhere on the borderline demarcating the difference between the entirely satisfactory with added interest, and one of the lesser efforts in the field of true painting. Due to experiments with the preparation and priming of the canvas, the behavior of the paint was unexpected. Thus the ebetweenxecution lacks fluency. The technically inferior quality of the photographic reproduction adds to the impression of a very strange atmosphere permeating the picture, ambiguously oscillating between  moodiness and Objectivism. The symbolism; moon, spiral, car, and brick, is rather balanced, but with the addition of some sea shells, it is clearly shifted into the realm of female reproduction. (Of course, this is based on highly untrustworthy  assessments of gender-classification of objects. Ed.)

The building does, or at least did, actually exist, somewhere on the British Islands. The photocopy of a photograph of the building from a book on Brutalist architecture garnered at the Düsseldorf Central Library some 25 years ago exists, yet, due to negligence, lacks any inscription for further contextual elucidation of the source. So neither information on the architect nor the actual location of this interestingly proportioned edifice can be provided, much to this author’s disgust.

This painting is based on that drawing. Drawing is finer, possibly more accomplished. Yet the painting adds something. Mostly it adds the je-ne-sais-quoi. Painting and explanatory note © 2021 by Torsten Slama and th International Pro-Brick Society IPB

Planetary School for Youth-Oriented Teachings of Right and Wrong

November 26, 2016
 Drawing of a school for problematic youths, staffed with progressive teachers, this drawing © Torsten Sama and the Progressive Society, 2021

Hardt-Waltherr Hämer, Juvenile Delinquent Youth Project,
Ingolstadt, 1962-66 (A3, 2016)

This voluminous structure of concrete and gold tinted glass is located in a progressive settlement called “Ingolstadt” on a far-away double planet in the system of the theoretical Öpik-Oort-Cloud. The building is fashioned as a life-size replica of the actual edifice, the municipal theater in the city of Ingolstadt, Germany, Earth. The building itself is rather imposing, especially in the realm of the horizontal, but this aspect of massiveness has been nicely set off with an arrangement of haphazardly placed street signs of unclear meaning, and a carefully unfinished look of the surrounding street scenery. Also a meticulously arranged add-on to the composition are the two vintage motor-bikes of German make parked in front of it. They belong to the school’s most progressive teachers, one fatherly male religion teacher, and one instructor  for violence-free negotiation techniques of uncommitted gender. The helmet placed to the side of the motor bike in front serves as a signal of trust. This is a theft-free zone. Looming over the horizon, the second planet of the double system, which is also earth-like, with vast and mostly untapped supplies of oxygen and water, left unsettled, serving as a recreational area for the partner planet. In the sky, floating over the school, a general semantics surveillance unit which  scans the whole perimeter of that school for occurrences of plain right and plain wrong according to objectivist criteria. The  gold-tinted glass panes of the building reflect the surroundings in unclear abstract configurations while still giving a hint of transparency. This atmospheric rendering © 2021 by Torsten Slama and the Progressive Society

Women’s Medical Centre with First Motor Driven Vehicle

April 7, 2013
Women's Medical Centre and Abortion Clinic with 1886 Benz Patent Motorwagen by Rheinische Gasmotorenfabrik Benz  & Cie. © 2021 by Hecate Sibonga, Torsten Slama, International Publications Organization

Women’s Medical Centre with 1886 Benz Patent-Motorwagen by Rheinische Gasmotorenfabrik Benz & Cie. (Pencil, coloured pencil, acrylics, shellack. A3, 2013)

Depicted is a medical centre exclusively for women, offering medical treatment for diseases of the female genital apparatus and applications of advanced pro-choice technology. The Benz three-wheeler parked in front of the clinic is a permanent installation reminding of a period where men were still relatively unchallenged in their claim over the field of artificial invention, as opposed to “natural” creation, the female secret, Bachofen’s swampland of unlimited fertility.

The staff of the medical centre elected to dedicate their institute to the renowned Scottish electrical engineer and laser scientist A. Catrina Bryce. The official designation for the institute is thus: Women’s Medical Centre “Ann Catrina Bryce”. A schematized, floating model of the laser was chosen as the sign of the centre, at night emitting a beam searching the night sky, reminding the nearby female population of the fact that now women are in control of phallic technology, putting it to empowering pro-choice use in advanced abortion procedures and the use of carbon dioxide (CO2) laser beams to vaporize abnormal cervical tissue. The spiral shape of the laser emitting beacon refers to one of the oldest symbols concerning everything anti-phallic, also alludes to contraception via Intrauterine-System (IUS), or Hormonic Coil.Illustrative sketch and explanatory note © 2013 by Torsten Slama

Dionysian Cult Centre with 1911 Renault 2-Seater

March 12, 2013
Dionysian Cult Centre with 1911 Renault 2-Seater  (297 × 420mm, pencil, coloured pencil, acrylics on paper, © 2013 by the Tellurian Society and Manfred Gorre)

Dionysian Cult Centre with 1911 Renault 2-Seater
(297 × 420mm, pencil, coloured pencil, acrylics on paper, © 2013 by the Tellurian Society)

The title and conceptual framework of this drawing ought to be understood before the background of Johann Jakob Bachofen’s work on matriarchy and gynaecocracy, Das Mutterrecht. According to Bachofen, human civilisation went through three stages: a wild nomadic, tellurian stage, the “lunar” period of female supremacy, then the backlash of the Dionysian period, worshipping the phallus, favouring the anus over the vagina, favouring intoxicating masculine wine over female milk and honey, followed by the Apollonian period, modernity, the age of reason and necrophilia (now in a process of dissolution, entering the enigmatic, presumably female, Aquarian stage).

The depicted cult centre is of the Dionysian-Apollonian type*. It offers safe outlets for the Dionysian impulses of domesticated Apollonian Males. Wild, intoxicated, sex-crazed orgies are not to be expected here, these are relegated to Bacchantian cult centres, the dance-clubs, as opposed to the model railway, antique car, or life steam clubs, which are all part of the Dionysian-Apollonian category. This Dionysian Cult Centre is a place where playful, supposedly harmless necrophilia is taking place. Necrophilia is the supremacy-oriented form of sexuality ascribed to men by the combined forces of Dionysus and Apollo. We ought to bear in mind that quartz watches, pocket calculators, microcomputers, laptop computers, tablet computers, cell phones, “smart” phones, and many types of cars and mechanical devices (also child pornography and tame popular music) are all part of the large necrophiliac outlet device network for Dionysian impulses. Soon these cult centres will be demolished all over the world, relegated to the dust heap of history, as we enter a new age which will put an end to the ill-regulated sun-worshipping** Apollonian rationality so inseparably tied to frenzied Dionysus, and bring forth the real, biophile rationality of the well-regulated, tellurian woman-god-serving era of the moon and the atom again.Illustrative sketch and explanatory note © 2013 by Torsten Slama

*In fact, the author is struggling here with the drawing’s title. It seems that what is depicted is clearly an Apollonian-Dionysian cult centre.

**See also Lewis Mumford’s concept of sun worship, worship of speed, empty space.llustrative sketch and rumination © 2013 by Torsten Slama

Multi-Purpose Worship Centre “Sindelfingen”

January 8, 2013
Multi Purpose Centre "Sindelfingen", 2012, Oil on canvas, 40,3 x 53,3 cm © 2021 by Torsten Slama and The Illusionist Society

Multi Purpose Centre “Sindelfingen”, 2012, Oil on canvas, 40,3 x 53,3 cm

This former motor hotel was acquired at an undisclosed date by the Illusionist Society Sindelfingen and converted into a multi purpose and worship centre. All kinds of gatherings are taking place here, suitable for all age-groups and with a clear anti-violence bias. All community gatherings are thus designed to be completely pressure free, allowing all kinds of individual expression, from introvert brooding to carefree dancing. The only commandment to be followed is that of interdependability, that is, everything is done with the fellow creature in mind. Animals and plants are always included in the gatherings, preferably in their actual form, or at least in effigy. It follows automatically that whatever is taking place in this centre is always in accordance with known Tellurian principles. The centre therefore forms a spiritually viable alternative to the city church. The layout is strictly Tellurian: the horizontal plane is for togetherness, the vertical form for compartmentalized administration and individual accommodation purposes. Two crystal shaped monitor probes made from space-age UltraQuartz™ sheets are homeostatically designed to use solar irradiation for buoyancy.Painting and explanatory note © 2021 by Torsten Slama and The Illusionist Society/Hekate Sibonga (Dir.)