Archive for the ‘Tellurianism’ Category

The Dedicated Engine

October 11, 2017
Drawing of an Engine originally called

The Dedicated Engine (The Jane G. Goldberg)
Pencil, couloured pencil, gold leaf, 36.5x48cm

Thrusting, trusting, elongated, phallic, dedicated, this engine seems to go somewhere. Yet the composition is static. The engine was copied from one originally painted on glass, perhaps for a magic lantern, which originally bore the name “Little England” on its golden nameplate. The artist decided rather whimsically, truly quite in earnest (though jesting, maybe as a means for self-protection), to change the dedication to “Jane G. Goldberg”, after watching all available sessions of her televised group therapy show on a well known, cheap, as in free (or ad-financed), resource for online videos. Jane G. Goldberg, apart from being a real analyst of the Freudian school, also has a holistic day spa called La Casa Spa and Wellness Center, where amongst other things, one can get one’s colon cleansed, have other things done, and emerge hopefully rather cancer-free, fit for the future allotted to one. Dedications are something questionable, especially unsolicited ones. The author would profess shyness and insecurity about own worthiness as reasons for not seeking such authorisation. The background to the proud engine: a hydrogenation plant for coal liquefaction, either Bergius or Fischer-Tropsch style, ironically rendering coal, which makes the dedicated engine run, into petroleum, to make cars go. Thus the path into the future is opened. A future which now belongs to the past, even though the way to go, electric propulsion, is of course mostly a sham, a magic trick to evade the problem of nuclear fusion or some such groundbreaking thing. The whole further background is a landscape in the Chinese style, with two buildings of unknown purpose, fog, rock, and firs. The entire work forms a kind of stump or rump for a whole holistic world view, such as art should strive for. Stress release (and build up),  homogenisation, liquefaction, bowel maintenance, mental control, control functioning, anger management, again liquefaction, energy management, etc. are all the core techniques which ideally should join to form a true society for all, a universe for worthwhile existence, not only in life, but also in death or near-inertness (or extremely slowed down or procrastinated reactiveness), as is the life of a tree, and then, at the furthest end, a rock.
Future © of this atmospheric rendering by Torsten Slama and the Group Therapy Board

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Atmospheric Church of Fuzzy Wisdom (Cologne Dellbruck, 1941, View from North)

September 28, 2015
Church Drawing by Torsten Slama

Karl Band, Köln Dellbrück St. Norbert, Ansicht von Nord 1940, mit 1910 Benz Limousine (A3; 42×29,7cm)

Atmospheric rendering of the Curch of Fuzzy Wisdom, situated in a forgotten spot in a forgotten part of a half-forgotten City. Fuzziness is demonstrated by the singular double tower design feature, entrance, and thus partaking of Fuzzy Wisdom, is facilitated by a special entrance unit which leads through the gap between the two towers, into the actual congregation hall. Vehicles of all sorts as well as less ceremonial visitors can also find ingress through a comfortably sized side door which leads through the left (the rational) tower of Fuzzy Wisdom. This practical entrance is facing the north, thus no disturbing, directional sunlight will disturb the minds of the visitors or the architectural unity and dignity of the building. A rather beautiful, off-white, vintage Benz limousine is parked in front ot the north facade, forming a well calculated aesthetic unity with the less mechanical minded edifice.

Floating in the sky over roof of the congregation hall; a spiritual inseminator in the act of spiritualizing an inflatable effigy of an early space-craft design (for a deeper insight in the symbolism of this floating sculpture, see Tellurialism).

This church is officialy (in order to appease traditional catholic church authorities) dedicated to a rather nondescript Saint, Norbert Gennep, who was born on the left bank of the Rhine, in the town of Xanten, part of the Electorate of Cologne (Kurfürstentum Köln), which was an an ecclesiastical principality of the Holy Roman Empire and existed from the 10th to the early 19th century. Saint Norbert was a rather quintessential possessor of Fuzzy Wisdom, whos life principles where as well marked by a distinct careerism and opportunism, and a well pronounced “spiritualism”, which allowed him for instance, to give away all his worldly possessions, without ever falling into the spriitually endangering situation of poverty (non-possession). Note also the following supposedly monist (one-towered, anti-fuzzy) concluding act in Norbet’s life: in the schism following the election of Pope Innocent II in 1130, Norbert supported Innocent and resisted Antipope Anacletus II. In Norbert’s last years, he was chancellor and adviser to Lothair II, the Holy Roman Emperor, persuading him to lead an army in 1133 to Rome to restore Innocent to the papacy. The all-knowing Fuzzy Authority has the unfailing power though to render all and especially those acts of seeming determination and single-direction into the paralle-opposite, thus establishing perfect equanimity and neutrality (see Kohelet 2:11 “Then I looked on all the works that my hands had wrought, and on the labour that I had laboured to do: and, behold, all was vanity and vexation of spirit, and there was no profit under the sun.” Atmospheric rendering © 2021 by Torsten Slama and the Society of Fuzziness and Equanimity

Anti-Nationalist Church Feetze, Altmarkkreis Salzwedel

September 23, 2015
Anti-Nationalistic Village Church Feetze, Altmark Salzwedel District with 1923 BMW R32 Motorbike

Anti-Nationalistic Village Church Feetze, Altmark Salzwedel District, with 1923 BMW R32 Motorbike (A3: 29,7x42cm)

This village church situated in an agnostic district of Germany is run by a renegade protestant woman priest who announces her progressive leanings by parking her vintage motorbike in front of said church. Said priest also commissioned a local plastics manufacturer with the manufacturing of an extremely lightweight acrylic air sculpture, fastened so to the church steeple as to appear weightlessly floating. The four tubular devices, dyed with a modified e-ink and radium amalgam, can be triggered electronically to interact on a high frecency level and assume any colour in the standard CMYK realm. Thus, all types of national and organizational flags and heraldic symbols can theoretically be rendered. The air sculpture transforms the static nature of individual national and political colour designations into something infinitely flexible and transmogrificational. On a symbolical level, the church thus signals itself to be out of bounds, truly international, anti-segregational. Only on this politically, culturally, and geographically nullified level, it can function as a place from which world-healing words, deeds, and thoughts emanate. The church buiding itself is severely threatened in its structural integrity by dry rot, mould infestation, and plaster falling from the ceiling into the mouths of the singing or open mouthed sleeping congregation. The free floating energy it constantly produces is exposed to dangerous channeling efforts through various world-heritage conservational programs and covert financial support by the EKD (German Evangelical Church), trying to reintegrate it into the standard top-down approach to organization which traditionally renders all human interaction into potentially violent and pressurizing attempts at domination. The aforementioned woman priest has announced a public self-immolation in front of the church at some unspecified point in the near future to protest against all forms of government, church, and political interference.
© 2017 Torsten Slama and International Publications Organisation World Wide

Invitation to an Exhibition

September 21, 2015
Souvenir card, A4, on the basis of the drawing

You are Beautiful, too – an Exhibition for Children, Humans, and Finite Automatons, (A5, 2015)

This invitation card is in fact a souvenir card. Due to recent admonishments by paperless office activists, art mongers are now discouraged from sending out printed invitation cards. Instead, electronic invitiations are send out, and only those who venture out and actually visit the space presenting the physical artworks are allowed to take one card per person with them, so that they can deposit it on their coffeetable, fasten it with a magnet on the refrigerator door, or maybe even pin it to a pinboard, if they have one. The card then serves as a potentially permanent reminder of the event and where, when, and why it was obtained. It is designed to survive hundreds or thousands of years, if preserved properly in a sealed, clear, archival plastic sleeve which must be purchased separately. The idea is, of course, to ensure the artist and his work a very effective, totally voluntary kind of publicity, a kind of private publicity, so to speak. Incidentally, this card is based on the drawing “Karl Band, Holy Trinity Church, Cologne Poll, with 1906 Compound Touring car”, and was supposed to feature a hallmark of cautiously modern church design by the prolific church architect Karl Friedrich Heinrich Band (1900-1995), in conjunction with a Vintage car of a slightly earlier date. In fact, the historical truth is complex and was not sufficiently explored nor documented by the artist. The church, as it is now standing looks totally unlike the depicted church, which very much resembles the original church from 1928, which burned out in the year 1943. It was built from 1950-1953 after plans by Karl Band, who, according to the spirit of that time, tried to use as many remaining parts of the original as possible. The semi-original tower by Karl Band had to be torn down in the year 1968 (a very symbolic date), and was replaced with a yet more modern one by Hans Schilling. The church, as it stands to this day, is an example of typical brick based mid-century church design which has little or no similarities to the depicted one.


You are Beautiful, too

a poem for an exhibition
on the theme of a flock of sparrows joined by one escaped canary
and the author feeding birds
Six times seven-teen
Have you seen?
Rhymes make happy times

The sparrows look at me and beg
While I stand solemnly
on just one leg

With tiny beaks they eat and tweet
And stand on tiny sparrow’s feet

“You are not dressed in colours gay
But you prefer plain brown and grey!”

“You dance and frolic so around
I see the birds, but not the ground”

Then the crumbs are eaten all
And I stand lean, and stiff, and tall

The sparrows have eaten and flown away
And left me feathers, brown and grey

(Oh you creatures of the sky!
Will ever we see from eye to eye?)

Only a yellow canary
Is left behind, and looks at me
I wonder, when the sparrows look at you
What do they think? You’re beautiful, too?

Card design and original drawing © 2017 by Torsten Slama and the Tellurian Society

The Friendly Inspector

July 8, 2014
The Friendly Inspector, or, the Critical Commissioner

The Friendly Inspector (42×29,7 cm, 2014)

This is a design for a monumental machinistic sculpture with slight hyperdimensional attributes. The machine comes delivered together with a floating satellite which is able to find its way in and out of a given dimension through tiny wormholes. The state of reentering one dimension is depicted here. The machine itself is designed for mainly benign and oracularly purposes. Its services are directed at comfort- or advice-seeking individuals who receive messages of a non-verbal character, relayed to the machine by its satellite which can probe and spectralize possible realities from multiple dimensions. In rare cases the Friendly Inspector can develop a certain kind of wrath and become punitive and disciplinarian in character, which gives this machine its intended messianic character. This machine is to be stationed in appropriately isolated spots, to serve as an acceptable surrogate for religious or mythical figures of the genital type, like Jesus Christ, who have lost all meaning or are accepted as mere history, with no function in the day-to-day struggle for self-realization of the individual.

Dionysian Cult Centre with 1911 Renault 2-Seater

March 12, 2013
Dionysian Cult Centre with 1911 Renault 2-Seater  (297 × 420mm, pencil, coloured pencil, acrylics on paper, © 2013 by the Tellurian Society and Manfred Gorre)

Dionysian Cult Centre with 1911 Renault 2-Seater
(297 × 420mm, pencil, coloured pencil, acrylics on paper, © 2013 by the Tellurian Society)

The title and conceptual framework of this drawing ought to be understood before the background of Johann Jakob Bachofen’s work on matriarchy and gynaecocracy, Das Mutterrecht. According to Bachofen, human civilisation went through three stages: a wild nomadic, tellurian stage, the “lunar” period of female supremacy, then the backlash of the Dionysian period, worshipping the phallus, favouring the anus over the vagina, favouring intoxicating masculine wine over female milk and honey, followed by the Apollonian period, modernity, the age of reason and necrophilia (now in a process of dissolution, entering the enigmatic, presumably female, Aquarian stage).

The depicted cult centre is of the Dionysian-Apollonian type*. It offers safe outlets for the Dionysian impulses of domesticated Apollonian Males. Wild, intoxicated, sex-crazed orgies are not to be expected here, these are relegated to Bacchantian cult centres, the dance-clubs, as opposed to the model railway, antique car, or life steam clubs, which are all part of the Dionysian-Apollonian category. This Dionysian Cult Centre is a place where playful, supposedly harmless necrophilia is taking place. Necrophilia is the supremacy-oriented form of sexuality ascribed to men by the combined forces of Dionysus and Apollo. We ought to bear in mind that quartz watches, pocket calculators, microcomputers, laptop computers, tablet computers, cell phones, “smart” phones, and many types of cars and mechanical devices (also child pornography and tame popular music) are all part of the large necrophiliac outlet device network for Dionysian impulses. Soon these cult centres will be demolished all over the world, relegated to the dust heap of history, as we enter a new age which will put an end to the ill-regulated sun-worshipping** Apollonian rationality so inseparably tied to frenzied Dionysus, and bring forth the real, biophile rationality of the well-regulated, tellurian woman-god-serving era of the moon and the atom again.Illustrative sketch and explanatory note © 2013 by Torsten Slama

*In fact, the author is struggling here with the drawing’s title. It seems that what is depicted is clearly an Apollonian-Dionysian cult centre.

**See also Lewis Mumford’s concept of sun worship, worship of speed, empty space.llustrative sketch and rumination © 2013 by Torsten Slama

World Wide Instrumentation Centre with 1912 Packard Landaulet

March 9, 2013
World Wide Instrumentation Centre for the Betterment of Mankind According to Tellurian Principles © 2021 by The Instrumentalists, Dr. Hecate Ecdysone, Torsten Slama

World Wide Instrumentation Centre with 1912 Packard Landaulet
(A3, mixed media, © 2013 by The Instrumentalists)

After the great unification of all continents into one supercontinent Eufricasia-Panamerica, the need for a coordinated world wide interactive system of communication and production is stated and instigated by the Instrumentalists. The whole world joins in multilingual agreement, and thus a Centre for World Wide Instrumentation is set up in Tripolitania, formerly district of Libya. a medium-grade metropolitan area located nearly exactly in the geographical centre of Eufricasia-Panamerica.

If vagueness, ambiguity and symbolism are reactionary forces bringing unrest, totalitarianism, and war, World Wide Instrumentation, with the totally concise and logical flow of goods, services, and communication it provides, will pave the way to a bright future of love and happiness. The dangers of a chronically crisis-ridden world economy or the inadvertent cross breeding of all sorts of squirrels into a race of super squirrels can be easily averted by the world wide employment of completely standardized instruments of measurement, production, transportation, and communication. A universal currency will soon be followed by a universal language for communication between people, animals, and machines: POYUTL, a language consisting of three consonants and three vowels, 21 syllables, and thus, using the well known formula of Newton, a total of 210 two-syllable words, which can express about everything. Thus, according to Tellurian principles, one Tellurian deity, OUY-PYTOLU, will come into being, a sentient and conscious superorganism, composed of all people, animals, and things on the surface of the earth and under.© 2021 by Hecate Herma Ecdysone, The Instrumentalists, Torsten Slama Historical Society

Multi-Purpose Worship Centre “Sindelfingen”

January 8, 2013
Multi Purpose Centre "Sindelfingen", 2012, Oil on canvas, 40,3 x 53,3 cm © 2021 by Torsten Slama and The Illusionist Society

Multi Purpose Centre “Sindelfingen”, 2012, Oil on canvas, 40,3 x 53,3 cm

This former motor hotel was acquired at an undisclosed date by the Illusionist Society Sindelfingen and converted into a multi purpose and worship centre. All kinds of gatherings are taking place here, suitable for all age-groups and with a clear anti-violence bias. All community gatherings are thus designed to be completely pressure free, allowing all kinds of individual expression, from introvert brooding to carefree dancing. The only commandment to be followed is that of interdependability, that is, everything is done with the fellow creature in mind. Animals and plants are always included in the gatherings, preferably in their actual form, or at least in effigy. It follows automatically that whatever is taking place in this centre is always in accordance with known Tellurian principles. The centre therefore forms a spiritually viable alternative to the city church. The layout is strictly Tellurian: the horizontal plane is for togetherness, the vertical form for compartmentalized administration and individual accommodation purposes. Two crystal shaped monitor probes made from space-age UltraQuartz™ sheets are homeostatically designed to use solar irradiation for buoyancy.Painting and explanatory note © 2021 by Torsten Slama and The Illusionist Society/Hekate Sibonga (Dir.)