This is another effort in a planned series of paintings in the classical Chinese style. Based on elements from Ming Dynasty landscape paintings, it features a Cryogenic Institute, a stylized 1920 Ford Runabout, a family of water buffalos, perhaps the C.O.D. – appointed custodians of the Dead Father Cryogenic Institute, a storage facility for the dead fathers of a past human civilization, first featured in a ca. 2003 airbrush painting as the “Wilhelm Reich Cryogenic Institute”. The narrative of legendary purport of the painting is however only a pretext for a kind of painterly exercise, in the style of what the civil servants in various Chinese dynasties turned to painting as a kind of unpaid profession (a very much glorified hobby), and their masterworks were often mere exercises in the style of a colleague in another part of the huge empire. These paintings were scrolls, and mostly stored in shelves, to be unrolled, like books, to be scrutinized, evaluated, perused, in solitude or together with esteemed guests. Eventually, they ended up in one of the Emperor’s huge art vaults, who had a strong believe that his empire was only as strong and long-living as the art works created under its auspices by its servants.
This painting is of course permanently unrolled, mounted on a mass produced stretcher, painted in contemporary oil colours. It is in this way only a nostalgic simulation, but also an exercise.
GPTU - 33 / IPP World Wide 